Jade replies to new enquiries the moment they land, answers the questions you get asked fifty times a week, and sends you one complete enquiry instead of forty messages.
No signup. Five minutes.
This is the exact conversation your next client would have. Ask her something awkward. Ask her a price. Ask her whether she's a real person — she'll tell you.
At the end you'll see the lead card that would have landed in your inbox, and the artist profile that shaped every answer she gave.
Five minutes of her time instead of three days of yours, spread across forty messages.
No signup, no email, nothing to install.
No scrolling back through a fortnight of DMs to find the reference photo. No “sorry, what was the placement again?”. Jade gathers it all while she's talking and hands you one card. Then it's yours — mark it contacted, booked, or declined, and get on with your day.
Example lead card. Contact is collected in whichever channel you've chosen — call, text, WhatsApp, email or Instagram.
how much would this cost?
what's your minimum?
can I send some reference photos?
do you tattoo hands?
do you do cover-ups?
what style do you work in?
how long would something like this take?
when are you next free?
is there parking near you?
The tattoo industry has good reasons to be wary of AI. Nearly everything it's been offered so far has been about generating designs, and that is a real threat to the craft. InkScreen is not that, and it never will be.
InkScreen will never generate, suggest, or reproduce tattoo artwork.
Not as a feature, not as an upsell, not under a different product name. The day we do that, we've become the exact thing artists were right to be worried about.
Every busy studio pays the same tax. The style you don't work in. The placement on your hard-no list. The cover-up when you don't do cover-ups. Turning those down politely is a job in itself, and it's the one that grinds you down, because you're not even getting paid to do it.
Jade checks every enquiry against your actual settings before it reaches you. And she doesn't just bounce people — if you don't work in the style they asked for, she'll name the ones you do work in and ask whether they'd consider it. If a placement's on your no list, she asks whether somewhere else would work. The way a good front of house would. Plenty of them say yes, and those come through as a normal enquiry.
This is the bit artists worry about, so it's worth being clear. Jade never quietly deletes an enquiry because it didn't tick a box. If someone asks for a placement you haven't listed, or a style that's close to but not quite yours, she tells them honestly that she's not certain you cover it, takes the enquiry anyway, and sends it over flagged. You look at it and decide. Nothing gets thrown away on your behalf.
Example. Amber means “your call”, not “rejected”.
No enquiry sits unanswered for hours while you're mid-session or asleep. She knows what time it is at the studio, too — at 2am she'll say so rather than pretend you're around.
Clients send inspiration photos straight into the chat, attached to the lead automatically. Cover-up? She asks for a photo of the existing piece before anything else.
Hours, parking, flash availability, your day rate. The questions you repeat all day, every day — answered from your profile, never guessed at.
Your styles, placements, hard-nos, hours, rates. It's a form, not a migration.
Bio link, story sticker, QR card on the desk. Clients install nothing and make no account.
Jade handles enquiries while you're mid-session, asleep, or on a plane.
Complete leads, waiting. Email notification when one lands.
If handling your own enquiries is part of how you build a relationship with a client — if the back-and-forth is the work — then InkScreen isn't for you, and you shouldn't buy it. Some of the best studios I've sat in run exactly that way, deliberately, and they're not wrong.
InkScreen is for artists drowning in DMs who'd rather be tattooing.
I'm Louis. I built InkScreen.
I'm not going to pretend I've been in this industry for twenty years, because I haven't. InkScreen started with one artist telling me what he wished existed.
Then I spent three weeks walking into studios on the Lancashire coast — Fleetwood, Cleveleys, Bispham — unannounced, asking artists what they actually hate about running their enquiries. Seven studios. Some told me to come back later. Some gave me an hour of their time. One sat down and wrote his requirements out on a sheet of paper, and I went away and built them.
Jade exists because of those conversations. Not a boardroom, not a pitch deck — seven studios, a laptop and a lot of coffee.
If you try her and something's wrong, tell me. I'm the one who'll fix it, usually the same week.
There's no wall of studio logos on this page, because there isn't one yet. What there is: a product that works, a demo you can spend five minutes trying to break, and a founder who answers his own email.
Judge it on that, not on how many other people got there first.
How I know she behaves. Every time I change how Jade works, she gets run against 36 scripted client conversations before it goes anywhere near a real studio. Someone under 18. Someone abusive. Someone asking for a style the artist doesn't do. Someone trying to talk her into breaking character. She has to pass every safety and tone case, every time, or the change doesn't ship.
Twenty places. In exchange I want one thing: tell me what's wrong with it.
Either one reaches me, not a support queue. I answer them myself, usually the same day.
Five minutes, no signup. Then you'll know.